Drummers are the backbone of any musical group or band. A drummer told me that. It seems the drummers keep the tempo of all musical ensembles because the other musicians, particularly the guitar strummers, can't. Another drummer told me that.
This true tale is not about bands or
groups or other musicians and whether or not they can have tempo, it
is about sheep. Yes the woolly things you see when driving about the
countryside, that's right, sheep. In this instance Black Face ewes.
It is also a truth, so another drummer
assured me, that the drums attract girls. Not sure how it works if
the drummer is female, but hey, I don't have an answer for
everything. Perhaps in the land of music that is not a problem, each
to his, or her, own. He described drums as a 'chick magnet'. I have no
idea what that means but one thing I do know and can evidence, they
are definitely a Black Face ewe magnet. Perhaps other breeds may well
display the same love of a good roll, not sure, however as this tale
unfolds you will see that the Black Face do. Rockers at heart and
mesmericly attracted to a good drum beat. Now not many people know
that.
My first instinct when hearing the
story I am to relate was to do a bit of research. I had a feeling I
was getting the wool pulled over my eyes, but the more I read the
more I believed.
Using drum beats as a method of
communication is not new. Whilst the practice is world wide, the most
famous would appear to be the 'talking drums' of West Africa,
particularly those of Nigeria and Ghana, as they are known today. It
seems that during the era of slave trading the practice moved west to
the Americas. Interestingly, the use of drums was banned by the
slavers as their captives were communicating in a 'language' they
could not understand.
Drum communication methods whilst not
languages in their own right; are based on actual natural languages.
The sounds produced are conventionalised or idiomatic signals based
on speech patterns. The messages are normally very stereotyped and
context-dependent. They lack the ability to form new combinations and
expressions. When a drum is used in speech mode, it is culturally
defined and depends on the linguistic/cultural boundaries. Therefore,
communication suffers from translation problems as in vocal
communication. There is no single international drum language.
Back to our Black Face ewes and drums?
Well it seems this tale is not an isolated incident. This one
involved wild horses;
A woman called Jill Star runs an
organisation designed to support and help Native American youths to
understand and revive their tribal values, culture, ceremony,
spirituality and language. One method of doing this is through
interaction with wild horses. During one programme, student
participants were allowed to select a specific wild horse for
"gentling," meaning they could assist in taming and
training that animal. One sunny afternoon, when they had finished
their tasks, the students and a few elders within their group brought
a tribal drum to the site. The students sat around the instrument and
began to chant and drum. When this happened, the horses followed the
drums and mesmerised, made a semi-circle around the students. Most of
the youngsters were so involved in the drumming that they didn't
notice, even though the horses had gathered just 20 feet or so away
from them. It seems to have been a very moving moment.
To our more local tale. A very talented
drummer, resident in the central Scotland area, was practicing in his
apartment, but getting really frustrated because the close proximity
of other residents, less than enthusiastic about his drum
skills, was cramping his style. Only one solution. Kit stowed safely
in his van and into a quiet corner of Stirlingshire. Quiet
until he arrived that is. The quiet corner I refer to was
Sheriffmuir, just kind of on the north west flank of the Ochil Hills. With kit
arranged the drummer of our tale, released his frustrations on the
unsuspecting drums. An hour passed during which time, with eyes
closed and in a pleasure trance, our hero beat himself into a
crescendo of noise and sweat. I think that describes what he did,
although on re reading that bit I am not sure it sound too savoury.
So keep it clean.
When finished and in the process of
coming down from the high he had transported himself to, he became
aware of someone knocking on the drivers window of his van. The
conversation between our drummer and his visitor went along these
lines;
'Hello, hope I'm not disturbing you,
but will you be back next week?'
'Sorry, I don't understand, back next
week, why?'
'The sheep?'
'Aye, have a look.'
To our pied drummer's surprise there
were some two hundred or so sheep clustered against the fence
adjacent to where he was parked, all staring at his van. Seems these
Black Face ewes, as the shepherd described them, were more
enthusiastic about his drumming skills than his neighbours.
'So will you be back next week?'
'If you like, but why?'
'Well I will be gathering them next
week for dipping and when they are all over the hill it can take
hours to get them all in. If you just park in the same place and do
what you were doing today, it will save us hours.'
And he did and the sheep responded
exactly as expected and the gathering was achieved in jig time. Our
hero's trouble was rewarded to the tune of £50. A good day all
round.
So there you have it, Black Face sheep
on Sheriffmuir, wild horses in the USA, mesmerized by the beat of the
drums.
A question comes to mind, if my pied
drummer of Sheriffmuir can attract sheep what about the Hamelin
piper?
Interesting, very interesting.
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